That sure was a lucky shot...

People sometimes say to me, "Boy you sure were lucky to get that shot!" Sometimes that is true. But they don't see the dozens of photos that were discarded until I found..."the shot." I have learned that one of the most important characteristics a photographer can have is patience. My best photos are usually a result of luck or much more often...patience. In wildlife photography, patience is essential since you can't pose your subject and the animals don't follow a script.  In landscape photography, I think it's all about patience for the right light and working a location to see all the possible angles and perspectives. I took roughly 150 photos at Goforth Creek last weekend. Those photos were taken at 4 different spots. Those spots were all within 100 yards of the trail head and my car. They were taken from about 20 different locations. I would have taken more, but a terrible storm blew through and cut things short.

We tend to look to take "the shot" when we see a scene we like. The "cliché" shot. The postcard. Those are important and we should take them. But we should dive deeper.

I used to not care about how the light was affecting the shots or how looking at different perspectives could dramatically increase the quality of the pictures I was taking. In short, I learned to be patient. Walk around. Put the camera down and really see the scene. And then...to "unsee" it.  That is… to take away my first impressions and look at what I wasn't seeing. I had to stop seeing the conventional scene and look at what was possible.

The pictures at Goforth Creek were the product of just that. There are many photographers that could produce far better images than these, but these represent some of my more...patient...shooting. 

I will describe how I took these pictures, not because I am an expert, but because maybe you can reproduce the results, or even teach me something.

What you will need is a wide angle lens, a circular polarizing filter and possibly a neutral density filter. In this case, I used a 24-70mm wide angle telephoto lens. While that lens isn't a super wide angle, It does work well for these types of shots The polarizer is very helpful in reducing or eliminating glare and the neutral density filters reduce the amount of light entering the camera to allow for longer exposures if there is sunlight or reflected light. I did not use the neutral density filters because I could stop down enough to limit the light. Every filter is another lens that the light passes through that distorts and changes the light before it enters the camera. I wanted to avoid that, if possible. I use Breakthrough Photography filters because they have produce almost no color cast and produce realistic colors. that day, I used the polarizing filter, but not the neutral density.

Long exposures are necessary to achieve the satiny look to the water. Different photographers will have differing ideas about how long the exposure should be. It is a matter of personal taste. After all...it is art. I like a bit of definition in the water. So my exposure would be shorter than others potentially. But with these photos, it was more a result of the light and how long I could leave the shutter open and not overexpose the highlights. Expose for the highlights and bring out shadows in post processing unless you are shooting HDR (high dynamic range) or bracketed exposures.

This photo illustrates the concept of the Rule of Thirds. The photo is divided into thirds both horizontally and vertically to find a pleasing location to place a subject.

This photo illustrates the concept of the Rule of Thirds. The photo is divided into thirds both horizontally and vertically to find a pleasing location to place a subject.

You are going to get wet if you shoot waterfalls. You have to wade. You have to see the falls from all angles. Shoot them from all angles and see what comes out best.

Nature photography and landscape photography can be challenging both artistically and physically. Simple techniques can allow for remarkable images, though. Using high and low angles can create very dramatic images. Also, usually you can find interesting foreground objects such as the log in the first photo or the rock in the last to enhance the natural beauty of a scene and increase the interest of the photo. Subject placement in the center can work, but like most other genres of photography, landscape and nature photography can be greatly enhanced by a Rule of Thirds placement. The Rule of Thirds states that a subject is more pleasing to the eye if not centered in the image. If the photo is divided into three equal sections with vertical and horizontal lines, the Rule of Thirds would have the subject placed on or near one of the lines.  However, I chose symmetry as my composition rule for the third image rather than the Rule of Thirds.

This photo uses diagonal lines and a rule of thirds placement. It was shot at 24mm with an aperture of f/22. The ISO was 100 and the shutter speed was 2.5 seconds. In post processing, the overall exposure was lowered slightly and a gradient was appl…

This photo uses diagonal lines and a rule of thirds placement. It was shot at 24mm with an aperture of f/22. The ISO was 100 and the shutter speed was 2.5 seconds. In post processing, the overall exposure was lowered slightly and a gradient was applied to the woods in the top right corner to emphasize the falls. I used a brush adjustment on the log adding warmth and sharpening and raising the exposure slightly.

This image also uses a rule of third placement with the top of the rock aligning roughly with the upper third. It also uses the diagonal placement of the rock to emphasize the scene. It was shot at 30mm to crop out the sky. It was shot a f/22, with …

This image also uses a rule of third placement with the top of the rock aligning roughly with the upper third. It also uses the diagonal placement of the rock to emphasize the scene. It was shot at 30mm to crop out the sky. It was shot a f/22, with an ISO of 100 and a shutter speed of 1.6 seconds. 

This shot places the rock in the center, which doesn't conform with the rule of thirds, but rather uses the symmetry of the falls on either side of the rock to emphasize and frame the large rock. This shot was a challenge because the white on the to…

This shot places the rock in the center, which doesn't conform with the rule of thirds, but rather uses the symmetry of the falls on either side of the rock to emphasize and frame the large rock. This shot was a challenge because the white on the top of the rock was reflecting the sunlight brightly and made shooting without the neutral density filter hard. It was shot at 30mm at f/22 with an ISO of 100 and a shutter speed of 1.6 seconds.

There is nothing magical about taking these photos. You can take them. Put your camera on manual mode...enter the values you see here and then adjust however you need to account for the light at your scene. You can do this, too! To see some of the other angles from these spots, check out the featured gallery. They might give you some ideas for waterfalls that you are going to shoot.

Thanks again for reading. I hope you learned something. I'm no expert, but I will share what I know. So go out there...and be patient.

Just down the road...

What's just down the road from you?  I have often overlooked amazing opportunities to photograph something because I wasn't looking all around me. Our best shots are sometimes nothing we intended to shoot. We also may find them BEFORE we get to our destination.

Golden Chilhowee Sunset Shot with a Canon 5DS and a Canon EF 24-70mm f2.8L II USM Lens. Shot at 70mm, ISO 400, F11 at 1/60th sec. Shot February 9, 2018 at 6:05 p.m.  

Golden Chilhowee Sunset Shot with a Canon 5DS and a Canon EF 24-70mm f2.8L II USM Lens. Shot at 70mm, ISO 400, F11 at 1/60th sec. Shot February 9, 2018 at 6:05 p.m.  

The shot above was recently featured by the New York Institute of Photography. I will always include my camera settings so that you can hopefully duplicate the shot if you like it. It was my first photograph featured by the Institute. I didn't go to the Chilhowee Overlook to take this photo. But...this dry weed...brown and dead from sunrise through the middle of the day...became a golden, glowing subject at sunset. At the end of the day...it was the shot of the day...and I could easily have missed it had I not just looked around.

We often think that we have to go to an epic landscape to capture images that inspire. Nothing could be further from the truth. Certainly there are iconic images of places like Monument Valley and the Grand Canyon...but inspirational captures are all around us. Sometimes they are found on our way to what we thought would be our epic destination.

The image below was also recently published by the New York Institute of Photography. I was on my way to shoot the Mississippi River at sunset and got lost. This shot was the best of the night. I didn't even know this place existed and had I taken a right instead of a left...I would have missed it,

South Bluff Spring, Memphis, TN. Shot with a Canon 5DS and a Canon EF 24-70mm f2.8L II USM lens. Shot at 41 mm, ISO 400, F2.8 at 1/60th sec. Shot March 6, 2018 at 6:59 p.m.

South Bluff Spring, Memphis, TN. Shot with a Canon 5DS and a Canon EF 24-70mm f2.8L II USM lens. Shot at 41 mm, ISO 400, F2.8 at 1/60th sec. Shot March 6, 2018 at 6:59 p.m.

The lesson I learned from both of these is that we have to be ready to see what's just down the road...and what's on the way to our destination.  Don't be so caught up in the sunset that you miss the beauty of the golden hour on a field of flowers. And don't think you have to go to the western desert or on safari to capture beautiful images... they can be right down the road.

The slideshow below features images taken at a small pond in Charleston, Tennessee. There is nothing special about the pond...except the beauty that is waiting to be seen if you will just look...and then be patient and wait for the shot. 

Just just down the road...I promise you won't ever be disappointed.

Hover your cursor over the image for a description and camera settings.